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    Creative

    Duet

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    Friendly

    Devil

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    Tranquilent

    Compatriot

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    Insecure

    Hussler

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    Loving

    Rebel

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    Passionate

    Seeker

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    Crazy

    Friend

Thursday 12 May 2016

Andrew Bird

 It's surprising that Andrew Bird is not a celebrated pop star. Even in the world of independent rock, he is only known among experts. As a guitarist-songwriter-violinist who can do is singing passionately good and in need also picks up the xylophone, but he may have actually noticed. In addition, Andrew Bird also looks damn good: Somewhere between rebellious folk heroes à la Townes Van Zandt and son, to wish all mothers. But despite his many talents Andrew Bird remains inconspicuous. He probably lacks the tendency to self-representation. And otherwise he does not rely on proven Popmethoden. He did it unfortunately failed to write love songs with choruses ordinary," he sneers ironically in a piece of his new album "Are you serious". Choruses remain unsung like him. For what do you actually need singing, when you can whistle so beautifully? Or just a tune just can emphasize only?



That's when "Are you serious", the already thirteenth! Album Birds, otherwise. However, unlike its predecessor business "Break It Yourself" discovered the US-songwriter his love for rock arrangements again: drums, bass and electric guitar are central. The introverted folk on acoustic guitar remains at "Are you serious" an integral part - only sounds dynamic - yes, even danceable.

"Capsized" indicates the atmosphere - an open flirtation with Afro-American soul and the blues rock of the Black Keys. "Roma Fade" is an impulsive and theatrical baroque-pop piece. And who closes her eyes in "Truth lies low", can imagine funky electric guitar with wah-wah effect effortlessly. It sounds sexy. Beat, guitar and violin flirt finally for minutes together. Bird seems to have some real fun in "Are you serious".

Playful, experiment and easily: The Weltschmerz of last album "Break It Yourself" is passé - even if there are occasional Melancholieausbrüche. And in "Puma" Bird exaggerates it then but: His attempt to sound radio friendly, fails miserably. However, it concerns only a slip, because already in the next piece musiziert Bird usual elegance and lightness.

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